What follows beyond this snippet from the article is my personal opinion, and is not necessarily shared by anyone else in GSP or elsewhere.
Essentially, this means that the Universities will have to become the Copyright cops. Additionally, the Universities will have no choice but to provide some sort of subscription service for music and videos to ALL students. What are the options that are out there? Campus wide Napster or Rhapsody subscription? Either that, or risk risk loosing the financial aid.
What really bothers me is that the copyright holders (essentially RIAA and MPAA) are private parties - why are they being given these extraordinary powers?
Quite simply, because they are corrupt lobbyists. They have the U.S. government in their pocket, and they only continue to exist because of that stranglehold they have on our laws. They serve no purpose but to make money at the expense of anyone and everyone in the music industry, especially the artist and the consumer, and they will continue to strive to make more money using the only method that's left available to them: by manipulating the law so that they may reap the highest financial gain without doing ANYTHING productive whatsoever. It's how they started, and it's how they continue to thrive.
The RIAA are a collection of thieves disguised as bureaucrats, offering nothing of any redemptive value to anyone, anywhere. The artists write the music, the artists perform the music, and the internet now distributes the music. That leaves the RIAA without a job. Their only recourse is to desperately sue, strangle, attack, and destroy any and every opponent of their archaic system of legal money laundering that they can. In the process, they have evolved away from having anything to do with the actual industry of recording, and walked directly into being a legalized mafia for audio entertainment, with the U.S. government backing them due to their own ignorance about how the industry has evolved.
The RIAA should be destroyed. It has zero merit, zero value, and zero potential. It exists, in all possible translations of it's current operational business model, solely to steal from you.
There's little we can do right now. But we can learn more. Read up on the RIAA. Follow them and see what they're doing. Help us do to them what they've been doing to the music industry since their inception: attempted destruction. They'll slip up sooner or later and make a wrong turn in congress. Then, somehow, we can bring them down for good and give music back to the people who write it and listen to it.